The social aspect of theater in the arts is a privilege for place-making, accessibility, and the privilege of contributing to our society. Its about a person’s outlook, and subject to accessibility. A social space that involves personal views, and given each their own stake, ableism in their identity. The connection of multiple networks is a classic technique of infrastructure. Different genre or mediums of multi-disciplinary artists constructs a culture that makes a civic space for an audience. Taste which separates those into class, and the various interests which categorizes each as a place-making event brings attention to artistic collaboration. We discuss an ethnographic research under media studies to observe relationships, and our participation in the spheres of the arts, the media, and literary fields which makes a place thrive in a cultural city. Our social circles are generations of different social milieus, we ask that you take a seat in the audience to experience it together. Connectivity which structures around public access draws from the theater, and it is to draw from life.




John Jarboe, Rose: You Are Who You Eat, 2022.
Fundraising Artist Prints for the Performing Arts
Fine Art Prints Sale for Fundraiser at Valerie Green/ Dance Entropy 2025 & 2026 Gala.




Our mission for live sketching is in the research, and fundraising for the purpose of contributing to memorable events. Drawing on the symbolic power of art, it adds value for an audience to see a product of the performance. When seeing the reality of performance art is to actively participate, and in-itself interest in the event. By detaching a sketch from the performance to share it with its audience we identify to this kind of collective. The materialism in the movement of community coming together is a forward thinking occurrence that WHYSEEART. serves in producing value alike. Issues of the audiences – with boldness and audacity- mainly because “art is a vehicle for ideas and action.”
KYL/D Benefit & Gala 2022–23

The Dance-Enthusiast: A Moving Art Project was an important journal that welcomed the artistry, drawing from the criticism, I began adding my visual audience reviews, and it helped to build onto the illustrations for a graphic critique of the dance. It is about the abstract, the representational, and meaning for developing a tool in view of movement for the audience reviews to connect with the public.



Philadelphia Free Lawyers for the Arts
The Arts Affair 2023-24
For the benefit of raising funds for the organization we auctioned a unique set of sketches at the event.







The Arts Affair 2024


Bronx River Park Performance Art USA (PAUSA)
The following images show a public performance of performance artists, curated by Hector Canonge. Taking place throughout the Bronx River Park, and witnessing art performances from a half-dozen artists that day who went to such lengths as to how artists communicate expression. The strong messages they, themselves are subjected to, and with that nervous system to digest a medium, or media.
Valerie Green’s invitation, came after all by seated in the Joyce Theater together for a dance performance a week before hand. The variety of drawings from the Bronx River Park initiated a relationship to a new set of tools. In a field of vision our curiosity to the indifference within the arts, that is, from multi-modal perspectives, and to align with a drama to be resolved. A chance to get involved in the art world, meet the artists, and the chance to draw unexpectedly from a dance performance was really the meaning for this program, “Impromptus.”.
An Argentine conceptual artist Mercedes Aquí



Mercedes Aquí es artista visual multidisciplinaria. Nació en Argentina donde vivió hasta los 8 años cuando su familia tuvo que exiliarse en México. Su obra se centra principalmente en el arte de acción o performance, fotografía, instalación y arte relacional. Su investigación estética gira en torno de la reparación de las cosas, la transmutación de la materia, la transformación del uso que le damos a los objetos, la inmaterialidad, lo invisible y está basada en lo lúdico para neutralizar la monstruosidad del mundo. Frecuentemente utiliza de manera metafórica y ritual la técnica del kintsugi que consiste en restaurar lo roto con oro que combina con la poesía de la patafísica -ciencia de las soluciones imaginarias-. Ha expuesto su obra en Argentina, Italia, República Checa, Turquía, Bangladesh, Bolivia, Corea, Eslovenia, Chile, Ecuador, India, Puerto Rico, Colombia, USA y México.
Scoop Slone
“collaborating with my trance self”



Jorge Ismael
“Usualmente dota a sus obras de valores simbólicos, ritualiza los procesos y siempre esta atento a encuentros fortuitos, considera que el encuentro en torno a un enunciado compartido es la base del “momento-obra”, en el que el artista se convierte en un catalizador que facilitar los procesos simbióticos entre el objeto de arte y el público a quien se esta dirigiendo, y que el éxito de la obra depende de la pertinencia de las preguntas que se plantea para construir la premisa detonadora de su acción. Afirma que esta premisa debe provenir del ecosistema cultural en que se establecerá la obra, “momento” al que llama, “el punto de fusión simbiótico”.”

Valerie Green / Dance Entropy
“… strikes a chord, masterfully presenting beautiful images and a whirlwind of heart racing moments.” -Annie Roller, Eyes on the Arts

… in the Bronx getting ready for “impromptus” at River Park.
Hector Canonge
PAUSA October 2022 !


Vladimir Cortez Montero
The performance which would be described as a political demonstration about the disappearance of individuals in Colombia. Montero begins by showing us the black cloth which he will then use to cover his mouth, a symbolic gesture of the silence in the subject of this national crisis concerning the media and president in Colombia. He proceeds to dig a hole, and remove some debris, before finally showing us the Colombian flag and burying it. The message is a solemn indication of the silence and memorial of those affected by a national crisis effecting the Colombian people.

Sarah Sudhoff– She describes her background in Photo Journalism. The work is influenced by personal experience, a bodily experience, and on the subjects of birth, death, and sex.
https://www.sarahsudhoff.com/carriers-blaffer-art-museum


