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KyLin’s Garden
The 25th Anniversary Performance of “Traces of Brush” by Kun-Yang Lin The set for “Shrill,” is a projection of a wade in the water. It created a wake in the waters with swirls of orange on the blue surface. My imagination wants to explore these possibilities for the nature of water, reflecting on “Ocean Waves”…
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The Art World
It was incredible meeting Valerie Green, and learning about her company, Dance Entropy and her dance studio, Green Space, based in Queens N.Y.. At the same time, I was becoming better acquainted with friends, artists, and dancers in Philadelphia. This social forum of various artists in the city inspires to enhance the landscape. The social…
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Modern Dance Schools that Push the Limit.
Questioning the art form by exploring dance in film by Kyle Abraham and the NYCBallet & theaters around the world. As a result, I really believe we were able to create something original that we could not have done without the other.” Eye On Dance was a televised interview conducted by Celia Ipiotis, and Mark…
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THE DRUNK LION: The Actor and The One-Man Show
It was “Apocalypse Now One-Man Show”, that started the whirl wind. You have all seen the movie, and you have all seen many one-man shows before, but has anyone ever thought of a one-man show, Apocalypse Now? Chris Davis thought of this and the image of Marlyn Brando eating a papaya takes the whole performance…
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Theater Review @New York Theater Workshop
A personal reflection on immigration processes in the U.S through the eyes of the U.S citizen. I left the theater trembling, tears about to burst. It was the interlude, and I wondered if I really should leave the theater at the thought of continuing this nightmare. I stayed to see how the marriage on stage…
Content Influence Articles Culture
Always The Hour
by
Annie
Wilson
Introducing the work of a multi-disciplinary field of Fringearts in Philadelphia and beyond which stems from the origin of the Fringe platform from the International Edinburgh Festival.
Following the work of Annie Wilson’s At Home With The Humorless Bastard (2017), and Always the Hour (2023) shows a bright horizon for dance theater at Fringearts from Fall 2016 with Melissa Krodman, Faye Driscoll, Jerome Bel, and Orbitor 3 production of, The Brownings.