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MASQUERADE
The open ended reality of the masked ball through the ages, eclipsed by the timelessness, Koresh Dance catapults its way into realms of a dream or fantasy. A dual presence on stage with live singing by Sage Deagro-Ruope, searching for something more human. Impressively standing together with this band of dancers, exploring the ribbons of…
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KyLin’s Garden
The 25th Anniversary Performance of “Traces of Brush” by Kun-Yang Lin The set for “Shrill,” is a projection of a wade in the water. It created a wake in the waters with swirls of orange on the blue surface. My imagination wants to explore these possibilities for the nature of water, reflecting on “Ocean Waves”…
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The Art World
It was incredible meeting Valerie Green, and learning about her company, Dance Entropy and her dance studio, Green Space, based in Queens N.Y.. At the same time, I was becoming better acquainted with friends, artists, and dancers in Philadelphia. This social forum of various artists in the city inspires to enhance the landscape. The social…
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Modern Dance Schools that Push the Limit.
Questioning the art form by exploring dance in film by Kyle Abraham and the NYCBallet & theaters around the world. As a result, I really believe we were able to create something original that we could not have done without the other.” Eye On Dance was a televised interview conducted by Celia Ipiotis, and Mark…
Content Influence Articles Culture
Always The Hour
by
Annie
Wilson
Introducing the work of a multi-disciplinary field of Fringearts in Philadelphia and beyond which stems from the origin of the Fringe platform from the International Edinburgh Festival.
Following the work of Annie Wilson’s At Home With The Humorless Bastard (2017), and Always the Hour (2023) shows a bright horizon for dance theater at Fringearts from Fall 2016 with Melissa Krodman, Faye Driscoll, Jerome Bel, and Orbitor 3 production of, The Brownings.