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MASQUERADE
The open ended reality of the masked ball through the ages, eclipsed by the timelessness, Koresh Dance catapults its way into realms of a dream or fantasy. A dual presence on stage with live singing by Sage Deagro-Ruope, searching for something more human. Impressively standing together with this band of dancers, exploring the ribbons of…
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The Art World
It was incredible meeting Valerie Green, and learning about her company, Dance Entropy and her dance studio, Green Space, based in Queens N.Y.. At the same time, I was becoming better acquainted with friends, artists, and dancers in Philadelphia. This social forum of various artists in the city inspires to enhance the landscape. The social…
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Annie Wilson: Transfiguration In Mourning and Nothingness
WHYSEEART takes art criticism to a new genre, a new mode of seeing. What are we looking at here, by standards of character, or dialogue that makes this play especially useful? The unorthodox theme of garbage, initially draws us in and says, what this play is about.
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THE DRUNK LION: The Actor and The One-Man Show
It was “Apocalypse Now One-Man Show”, that started the whirl wind. You have all seen the movie, and you have all seen many one-man shows before, but has anyone ever thought of a one-man show, Apocalypse Now? Chris Davis thought of this and the image of Marlyn Brando eating a papaya takes the whole performance…
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Theater Review @New York Theater Workshop
A personal reflection on immigration processes in the U.S through the eyes of the U.S citizen. I left the theater trembling, tears about to burst. It was the interlude, and I wondered if I really should leave the theater at the thought of continuing this nightmare. I stayed to see how the marriage on stage…
Content Influence Articles Culture
Always The Hour
by
Annie
Wilson
Introducing the work of a multi-disciplinary field of Fringearts in Philadelphia and beyond which stems from the origin of the Fringe platform from the International Edinburgh Festival.
Following the work of Annie Wilson’s At Home With The Humorless Bastard (2017), and Always the Hour (2023) shows a bright horizon for dance theater at Fringearts from Fall 2016 with Melissa Krodman, Faye Driscoll, Jerome Bel, and Orbitor 3 production of, The Brownings.