… in the Bronx getting ready for “impromptus” at River Park.
PAUSA October 2022 !
performances by Jorge Ismael Rodriguez, Mercedes Aqui, Vladimir Cortez Montero, Scoop Slone, Valerie Green / Dance Enthropy., Sarah Sudhoff.
The social aspect of access in the arts is a privilege that is over looked by people with this privilege of accessibility. It would change a person’s outlook, if it were a question of accessibility. Then this social intersection of political involvement asks what are the stakes. In a network of classic techniques, genre, and cross-disciplinary designs, a culture at large pinpoints where public access, power, and taste stand. The ethnographic research under media studies invites this participatory aspect of the arts, and media literacies through community organizers, and other participatory projects. By expanding our social circles to a more diverse group different social milieus appear. And the connectivity which infrastructure accesses through a refreshed visibility with the natural world.
Impromptu Dance Performances take on many meanings, from festivals, public art, and alternative stages for extraordinary moments.
Our mission in working with non-profit arts organizations is research, and frames a new objective for fundraising. Drawing on the symbolic power of art, it adds value for the art programs through collaborative partnership to draw from the live performances. The infrastructure in the event of community, foundations, and private sectors in unity to serve a public good on issues like health and education, but also, to go where no one else will – with the boldness and audacity- mainly because “art is a vehicle for ideas and action.”
The Dance-Enthusiast: A Moving Art Project was an important journal that welcomed the artistry, drawing from the criticism, I began adding my visual audience reviews, and it helped to build onto the illustrations for a visual representation of dance. It is about the abstract, the representational, and meaning of movement for the audience reviews to connect with the public.
For the benefit of raising funds for the organization we auctioned a unique set of sketches from the event.
Bronx River Park Performance Art USA (PAUSA)
The following images show an assembly of performance artists showcasing Performance Art, curated by Hector Canonge on October 30th, 2022.
The Argentine conceptual artist Mercedes Aquí
Mercedes Aquí es artista visual multidisciplinaria. Nació en Argentina donde vivió hasta los 8 años cuando su familia tuvo que exiliarse en México. Su obra se centra principalmente en el arte de acción o performance, fotografía, instalación y arte relacional. Su investigación estética gira en torno de la reparación de las cosas, la transmutación de la materia, la transformación del uso que le damos a los objetos, la inmaterialidad, lo invisible y está basada en lo lúdico para neutralizar la monstruosidad del mundo. Frecuentemente utiliza de manera metafórica y ritual la técnica del kintsugi que consiste en restaurar lo roto con oro que combina con la poesía de la patafísica -ciencia de las soluciones imaginarias-. Ha expuesto su obra en Argentina, Italia, República Checa, Turquía, Bangladesh, Bolivia, Corea, Eslovenia, Chile, Ecuador, India, Puerto Rico, Colombia, USA y México.
Scoop Slone
“collaborating with my trance self”
Jorge Ismael
“Usualmente dota a sus obras de valores simbólicos, ritualiza los procesos y siempre esta atento a encuentros fortuitos, considera que el encuentro en torno a un enunciado compartido es la base del “momento-obra”, en el que el artista se convierte en un catalizador que facilitar los procesos simbióticos entre el objeto de arte y el público a quien se esta dirigiendo, y que el éxito de la obra depende de la pertinencia de las preguntas que se plantea para construir la premisa detonadora de su acción. Afirma que esta premisa debe provenir del ecosistema cultural en que se establecerá la obra, “momento” al que llama, “el punto de fusión simbiótico”.”
Valerie Green / Dance Enthropy
“… strikes a chord, masterfully presenting beautiful images and a whirlwind of heart racing moments.” -Annie Roller, Eyes on the Arts
Vladimir Cortez Montero
The performance which would be described as a political demonstration about the disappearance of individuals in Colombia. Montero begins by showing us the black cloth which he will then use to cover his mouth, a symbolic gesture of the silence in the subject of this national crisis concerning the media and president in Colombia. He proceeds to dig a hole, and remove some debris, before finally showing us the Colombian flag and burying it. The message is a solemn indication of the silence and memorial of those affected by a national crisis effecting the Colombian people.
Sarah Sudhoff– She describes her background in Photo Journalism. The work is influenced by personal experience, a bodily experience, and on the subjects of birth, death, and sex.
https://www.sarahsudhoff.com/carriers-blaffer-art-museum
