… in the Bronx getting ready for “impromptus” at River Park.
PAUSA October 2022 !
performances by Jorge Ismael Rodriguez, Mercedes Aqui, Vladimir Cortez Montero, Scoop Slone, Valerie Green / Dance Enthropy., Sarah Sudhoff.
The social aspect of accessing the arts is a privilege that is over looked by people that have this privilege of accessibility. It could change a person’s outlook, if it were a question of accessibility and not the acceptance of autonomy. Then this social intersection of political involvement asks what are the stakes in the public sphere. In a network of classic techniques, genre, and cross-discipline designs a culture at large that pinpoints where it grants or denies access. The ethnographic research under media studies invites this participatory aspect of the arts, and media literacies through community organizers, and other participatory groups. By expanding our social circles, a more diverse conversation happens to invite different social milieus. And the connectivity which infrastructure accesses through a refreshed visibility with the outside world.
Impromptu Dance Performance takes on many meanings, from festivals, public art, and alternative stages for extraordinary moments.
It is noteworthy to be working in unison with non-profit arts organizations with valuable research, and vision to continue framing new programs. Drawing a combined symbolic power, that adds value for the arts through collaborative partnership to new places. The infrastructure in the event of communities, foundations, and private sectors in unity to serve a public good on issues like health and education, but also the boldness and audacity to provoke humanitarian rights mainly because “art is a vehicle for ideas and action.”
The Dance-Enthusiast: A Moving Art Project was an important journal that welcomed artistry, from the criticism, to audience reviews, and it helps build a dance community around new dance audiences. It is about a fully-integrated discourse on the dance community for all types of dance accepting audience reviews by the public.
For the benefit of raising funds for the organization we auctioned a unique set of sketches from the event.
Bronx River Park Performance Art USA (PAUSA)
The following images show an assembly of performance artists showcasing Performance Art, curated by Hector Canonge on October 30th, 2022.
The Argentine conceptual artist Mercedes Aquí
Mercedes Aquí es artista visual multidisciplinaria. Nació en Argentina donde vivió hasta los 8 años cuando su familia tuvo que exiliarse en México. Su obra se centra principalmente en el arte de acción o performance, fotografía, instalación y arte relacional. Su investigación estética gira en torno de la reparación de las cosas, la transmutación de la materia, la transformación del uso que le damos a los objetos, la inmaterialidad, lo invisible y está basada en lo lúdico para neutralizar la monstruosidad del mundo. Frecuentemente utiliza de manera metafórica y ritual la técnica del kintsugi que consiste en restaurar lo roto con oro que combina con la poesía de la patafísica -ciencia de las soluciones imaginarias-. Ha expuesto su obra en Argentina, Italia, República Checa, Turquía, Bangladesh, Bolivia, Corea, Eslovenia, Chile, Ecuador, India, Puerto Rico, Colombia, USA y México.
Scoop Slone
“collaborating with my trance self”
Jorge Ismael
“Usualmente dota a sus obras de valores simbólicos, ritualiza los procesos y siempre esta atento a encuentros fortuitos, considera que el encuentro en torno a un enunciado compartido es la base del “momento-obra”, en el que el artista se convierte en un catalizador que facilitar los procesos simbióticos entre el objeto de arte y el público a quien se esta dirigiendo, y que el éxito de la obra depende de la pertinencia de las preguntas que se plantea para construir la premisa detonadora de su acción. Afirma que esta premisa debe provenir del ecosistema cultural en que se establecerá la obra, “momento” al que llama, “el punto de fusión simbiótico”.”
Valerie Green / Dance Enthropy
“… strikes a chord, masterfully presenting beautiful images and a whirlwind of heart racing moments.” -Annie Roller, Eyes on the Arts
Vladimir Cortez Montero
The performance which would be described as a political demonstration about the disappearance of individuals in Colombia. Montero begins by showing us the black cloth which he will then use to cover his mouth, a symbolic gesture of the silence in the subject of this national crisis concerning the media and president in Colombia. He proceeds to dig a hole, and remove some debris, before finally showing us the Colombian flag and burying it. The message is a solemn indication of the silence and memorial of those affected by a national crisis effecting the Colombian people.
Sarah Sudhoff– She describes her background in Photo Journalism. The work is influenced by personal experience, a bodily experience, and on the subjects of birth, death, and sex.
https://www.sarahsudhoff.com/carriers-blaffer-art-museum
