WHYSEEART.

Draw inspiration for the sequel.

2019


Where are we? where? There is a where, because we are, stubbornly, and have been, and who are we, if not you and me?

Where are we? Out of History, of his or her story, and back into it, our in space and back to Earth, our of the womb, and then into dust, who are we?

Where is where, where the terror, the love, the pain? Where the hatred? Where your life, and mine?

by the Lebanese artist, Etel Adnan, a writer, poet, and essayist.

Fringe 2019, Wilma Theater

In the Light and the Darkness of the Self and of the Other

There by Adnan is a poem performed by the Hot House artists. Actors dress in prismatic colors, the text is in light, shadows, and modeling. Down to the simplistic act, of cutting an onion. Poetic in all its forms.

The stage at the Wilma resembled a half pipe, projections of a wild style graffiti, in a reel lit up, a chaotic fleeing they slide down the ramp. Audience members sat on either side, facing one another from across scene.

Flashback to 2019, Jacobean Tragedy in the Philadelphia Artist Collective: The theatre company that was most notorious for classic in the round theatre. Notably so, speaking striped bare, and charged historical plays that appeared even more relevant for modern playwrights and modern politics.

Spring 2019 Classic Theater

Tis’ Pity She’s A Whore

Play by John Ford from the 17th century, tragedy captured in fashion that meet a delightful design, and ends with murder.

Lust

In the very first scene, he confesses to his confidante, Friar Bonaventura, of his love for his sister.

Fashion

neoclassical style comedy

Berdetto/ Soranzo

Innocence

The characters of worldly matters, the incredulous pity.

Giovanni /Annabella

Pity

nonsense

She is in a world dictated by men.

Let Me Die

Opera Philadelphia presents: Joseph Keckler

Cartography

Mapping the Refugee Experience

Christopher Myers and Kaneeza Schaal

Don Quixote

Philadelphia Ballet

Dream Girl

Idiopathic Ridiculopathy Consortium

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