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Arts on CenterStage, Kun-Yang Lin and Dancers, KyLin’s Garden (2023.)
Arts on CenterStage, KYL/Dancers, solo by Weiwei Ma, Traces of Brush, (2023.)
Arts on CenterStage, KYL/Dancers Wally Carbonell, Weiwei Ma, and Sophie Malin, preview, Fruit of Her Lips(2023.)

Always The Hour

by

Annie

Wilson

Introducing the work of a multi-disciplinary field of Fringearts in Philadelphia and beyond which stems from the origin of the Fringe platform from the International Edinburgh Festival.

Following the work of Annie Wilson’s At Home With The Humorless Bastard (2017), and Always the Hour (2023) shows a bright horizon for dance theater at Fringearts from Fall 2016 with Melissa Krodman, Faye Driscoll, Jerome Bel, and Orbitor 3 production of, The Brownings.

Fringearts 2016 & Beyond

Category: Theater

  • Annie Wilson: Transfiguration In Mourning and Nothingness

    WHYSEEART takes art criticism to a new genre, a new mode of seeing. What are we looking at here, by standards of character, or dialogue that makes this play especially useful? The unorthodox theme of garbage, initially draws us in and says, what this play is about.

  • THE DRUNK LION: The Actor and The One-Man Show

    THE DRUNK LION: The Actor and The One-Man Show

    It was “Apocalypse Now One-Man Show”, that started the whirl wind. You have all seen the movie, and you have all seen many one-man shows before, but has anyone ever thought of a one-man show, Apocalypse Now? Chris Davis thought of this and the image of Marlyn Brando eating a papaya takes the whole performance…