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MASQUERADE
The open ended reality of the masked ball through the ages, eclipsed by the timelessness, Koresh Dance catapults its way into realms of a dream or fantasy. A dual presence on stage with live singing by Sage Deagro-Ruope, searching for something more human. Impressively standing together with this band of dancers, exploring the ribbons of…
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KyLin’s Garden
The 25th Anniversary Performance of “Traces of Brush” by Kun-Yang Lin The set for “Shrill,” is a projection of a wade in the water. It created a wake in the waters with swirls of orange on the blue surface. My imagination wants to explore these possibilities for the nature of water, reflecting on “Ocean Waves”…
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Theater Review @New York Theater Workshop
A personal reflection on immigration processes in the U.S through the eyes of the U.S citizen. I left the theater trembling, tears about to burst. It was the interlude, and I wondered if I really should leave the theater at the thought of continuing this nightmare. I stayed to see how the marriage on stage…
Content Influence Articles Culture
Always The Hour
by
Annie
Wilson
Introducing the work of a multi-disciplinary field of Fringearts in Philadelphia and beyond which stems from the origin of the Fringe platform from the International Edinburgh Festival.
Following the work of Annie Wilson’s At Home With The Humorless Bastard (2017), and Always the Hour (2023) shows a bright horizon for dance theater at Fringearts from Fall 2016 with Melissa Krodman, Faye Driscoll, Jerome Bel, and Orbitor 3 production of, The Brownings.