COST OF LIVING
Martyna Majok’s Cost of Living, 2024 production at the Philadelphia Theater Company. The movement on stage was reframing the issue of mobility, and their interest with issues of identity. Identifying with care workers articulated disabilities on stage, similarly how social class effectively labels a person.
Fringe Festival |
Rhythm Bath
The set designer, Mimi Lien collaborated with dance artists to bring this sensibility of wellness to the space. The possibilities of wellness, offered an unexpected darkness which bombarded my thoughts, though completely subconscious, this after shock came in waves. Following a sensory time line, Susan Marshall choreographed a delicate movement between the boundaries of dance, the nervous system, and pedestrian. It could only be described on a scale of intensity from high to low stimuli.
Sketches
The Half-God of Rainfall by Inua Ellams
New York Theatre Workshop
NEW Article: A Childhood Dream: Sketching Superheroes The Half-God of Rainfall presented at the New York Theatre Workshop.
MUSE
2022 Modern Dance design for Koresh Dance / The Duet, Sweet Love and Tears, performed by Micah Gleason and Melissa Rector in rehearsal only days before the opening.
WHYSEEART.
Valerie Green | Dance Entropy was part of the Bronx River edition of 2022 Performance Art USA (PAUSA)
Sketches
Sketches
My Mamma And The Full-Scale Invasion
At The Wilma Theater, 2024.
KYL/Dancers
Digital designs from KYL/D Home Season 2023, WIND 2, TRACES OF BRUSH, and KYLIN’S GARDEN.
Wind 2
Traces of Brush
KyLin’s Garden
Philadelphia Dance Company Philadanco!
Moving Beyond Forward
Now…Three Years Later
ANNE-MARIE MULGREW AND DANCERS COMPANY
Beautiful Chaos
RISE, based on Martin Luther King Jr’s speech “I’ve Been To The Mountaintop” was presented at Swarthmore College for the Cooper Series 2023.
Players Club of Swarthmore, Much Ado About Nothing by William Shakespeare.
Koresh Dance Company
