Martyna Majok’s Cost of Living, 2024 production at the Philadelphia Theater Company. It was the most exciting anticipated theatre in Philadelphia. The movement on stage was reframing the issue of mobility, and they brought themselves. Its rarely the case, when articulating disabilities on stage.

Fringe Festival |

Rhythm Bath

The work of designer, Mimi Lien and a collaborative team of dance artists revitalized through this sensibility. To begin interpreting the possibilities of wellness, an unexpected darkness fell over me, though subconsciously like shock waves. Following a sensory time line, Susan Marshall choreographed a delicate movement between the boundaries of dance and the human nervous system. It can only be described on the scale of intensity from high to low stimuli.

Sketches

The Half-God of Rainfall | Inua Ellams

New York Theatre Workshop

NEW Article: A Childhood Dream: Sketching Superheroes from Yoruba Mythology presented at the New York Theatre Workshop.

Modern Dance.

Kun-Yang Lin and Roni Koresh met to talk about what comes next for the industry, moving forward, returning to the stage. This was a chance to converse between the two choreographers based in Philly.

2022 Modern Dance design for Koresh Dance MUSE: in research for the Koresh Dancers in return to the Suzanne-Roberts theatre. The Duet, Sweet Love and Tears, performed by Micah Gleason and Melissa Rector was an incredible sight into their process, and only days before the opening, rehearsals showed the process of applying the choreography in practice.