A Chris Davis Production, in the realm of genre, Fringe Performances, and one for its own category. How did this come to be? The fringe performances are a creative engine for individual theater artists to produce a show motivated, and driven to transcend the boundaries of Arts & Entertainment.
Chris has an amazing ability to imagine and reach his audience, while at the same time orchestrating different characters on stage. This theme brings up the topic of profiles, very specific roles, and popular personalities in the field of cinema and with repertoire personae.
Chris Davis is not only an actor, performer, and artist, but a producer in his own right. He is working with many in the community, including comedy, to extend the traditions of conducting and hosting a festival of art with perspective for new, and emerging artists.
Who thought? One could take a trait, almost like dementia or schizophrenia, and direct out of the entertaining quality of captivating a space and audience around this imagination, but that’s the fascinating part of this genre of performance art. The fringe genre creates a space for artists to create pieces that conceptually evoke, art for art’s sake, and it will draw a clear line to what is, ‘Contemporary Art.’
Visiting the Fringe Festival in Edinburgh, Scotland exposes on to the limits and gusto of comedians and self promoting theater on the fringe of the Edinburgh International Festival. It was purposefully designed to compare to large budget theater, music, and expositions which were negotiated to showcase art of the world in one place. This festival of art recognized as the biggest art festival in the world, culminates international exposure for artists promoting their shows on the fringe of this global event. This is in light of Chris Davis’s profile, and showcase at the Fringe Festival in Edinburgh.
The play truly brings us into the intimate setting
First, the crude way in which the story is constructed by an actor, Lindsay Smiling plays Hector. The setting distances in which time enters when it’s an imaginary plot recreating the memory, or a characterisation materialises with heightened bravado or color.
The narrator telling the story is the placing us in the imagination of realising the hellish comedy that threatens their livelihood. Sasha is phoning her mother at times and visualising the scenario of this older woman(her mother) whom she brutally renders as a thick headed, and patriotic Ukrainian woman.
My Mama and The Full-Scale Invasion
Sasha Denisova
Drama told in the fear of missing out (FOMO); in a Russian satirical drama delivered by political theater to intervene danger with comedy. The premise is given- there’s an uncanny realism to what surrounds the theater of characterisation and making fun of a deadly war in Ukraine.
storytelling begins to unfold with the introduction of characters. It gains much applause when President Biden or Vladimir Putin arrive on the scene.