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Research into African American Traditions
From the 2023 Moving… Beyond Forward To the 2024 Our Voices, Our Choices Returning to the Perelman Theater in December with a program, “Our Voices, Our Choices…This Is Us!” in many ways prepares the audience to speak on the work of choreography that informs us about the channels for civil and difficult topics. The forms…
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2018
FringeArts 2018 and the Philadelphia Fringe Festival was on the forefront of contemporary performances in Philadelphia. Following theater and dance became a driving force to the emergence of acting styles, genre scene, and classical fashion in the volumes of sketchbooks drawn to the stage, made in the audience of diverse performers in the art and…
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2019
Where are we? where? There is a where, because we are, stubbornly, and have been, and who are we, if not you and me? Where are we? Out of History, of his or her story, and back into it, our in space and back to Earth, our of the womb, and then into dust, who…
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Opera.
Festival O23 Unholy Wars Opera Philadelphia Karim Sulayman Raha Mirzadegan John Taylor Ward Mary Kouyoumdijan Coral Dolphin Recitation of the Crusades, through the music of Monteverdi’s Tancredi e Clorinda, the virtuosity of human emotion, unexpectedly anticipated a global protest, and an international summit on the military support of industry from institutions of power, and leaders…
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2020
The years we will always remember as the the Pandemic, in 200, an economical disaster as much as a health crisis. Time and space in exploring, creativity, and in environment with communities and individuals, those that were unforgettable. In 2017, The Summer Series at the Mann Center presented A Space Odyssey. Honoring the legacy of…
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2021
BlackStar Film Festival 2021, featured the documentary of Eyes on the Prize: Hallowed Ground directed by Sophia Nahli Alison Americans and to others as producers and writers, creative and management talent. They will bring their own stories and passions that will, after experimentation, failures and second opportunities, succeed. …-Henry Hampton’s 1992 PBS Annual Meeting Keynote…
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Transfiguration In Mourning and Nothingness
WHYSEEART takes art criticism to a new genre, a new mode of seeing. What are we looking at here, by standards of character, or dialogue that makes this play especially useful? The unorthodox theme of garbage, initially draws us in and says, what this play is about.
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THE DRUNK LION: The Actor and The One-Man Show
It was “Apocalypse Now One-Man Show”, that started the whirl wind. You have all seen the movie, and you have all seen many one-man shows before, but has anyone ever thought of a one-man show, Apocalypse Now? Chris Davis thought of this and the image of Marlyn Brando eating a papaya takes the whole performance…
WHYSEEART.
Drawing Inspiration For The Sequel.